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Opera

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		25	39	6	9	97%
		26	21	6	9	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		25	39	6	9	97%
		26	21	6	9	100%
Contrabasses		21	0	5	9	100%
Violins 1		21	0	4	9	100%
Violins 2		19	0	4	9	100%
Violoncello		21	0	5	9	100%
Violoncellos		21	0	5	9	100%
Rinaldo		17	0	4	8	79%
Viola		10	0	1	6	25%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
Oboe		17	0	3	9	92%
Harpsichord		20	29	3	7	85%
		17	7	3	6	88%
Contrabasses		16	0	3	6	88%
Violas		12	0	3	7	88%
Violins 1		19	0	4	7	88%
Violins 2		15	0	2	6	88%
Violins 3		13	0	1	6	88%
Violoncello Continuo		17	0	3	6	88%
Violoncellos		16	0	3	6	88%
Violoncello		18	0	3	6	85%
Almirena		13	0	3	8	54%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

O Richard! O mon Roi!

bvaillant

3:18	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	39	6	8	100%
		23	15	2	5	100%
Ténor		17	0	4	8	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	39	6	8	100%
		23	15	2	5	100%
Ténor		17	0	4	8	71%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	4	8	96%
		23	18	5	6	96%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	4	8	96%
		23	18	5	6	96%
B		12	0	2	8	63%
T		14	0	3	8	62%
A		11	0	1	8	28%
S		13	0	2	8	28%
g		2	0	0	1	26%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon		20	20	3	5	97%
		30	26	8	8	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon		20	20	3	5	97%
		30	26	8	8	100%
Violoncelle		21	3	4	8	100%
Alto		18	25	4	4	97%
Contrebasse		14	0	2	4	97%
Basson		22	26	6	7	94%
Hautbois		20	22	6	7	93%
Basses		18	2	4	7	86%
Borsa		19	0	5	8	85%
Ceprano		17	0	3	7	85%
Marullo		16	0	4	7	85%
Ténors		20	21	6	8	85%
Flûte		18	0	4	8	82%
Duc		6	0	1	4	18%

The Music of the night

Marlon Vagner Reck

2:21	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino		14	0	3	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino		14	0	3	8	100%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	4	9	86%
		13	4	4	9	83%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	0	4	9	86%
		13	4	4	9	83%
		12	17	3	6	37%
		12	6	2	7	74%
		16	5	1	7	86%
		19	15	8	8	97%
		13	7	2	5	31%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.		19	6	4	8	100%
II.		20	5	7	11	100%
View all 25 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.		19	6	4	8	100%
II.		20	5	7	11	100%
Br. (get)		22	6	8	11	91%
Violas		21	6	7	11	91%
Vcl.		18	4	4	12	77%
III. IV.		12	12	5	7	59%
K.B.		10	0	1	7	55%
I.		11	0	2	6	41%
		12	0	2	7	50%
I. Klar. in B.		10	0	0	7	45%
III.		6	0	1	6	27%
		10	0	1	7	41%
		2	0	1	2	14%
		10	0	1	7	36%
Fl. II.		9	0	1	7	41%
I.II. Pos.		13	14	0	7	36%
I.II. Fag.		7	2	3	5	32%
II. III.		8	0	5	5	32%
I. II. Horn in F.		9	12	3	6	27%
II.III.		9	9	2	6	27%
Althob.		7	0	1	6	27%
Hob. II.		6	0	0	6	27%
Bab-Tb.		2	0	0	4	23%
I. Trp. in F.		4	3	0	1	9%
Pk.		1	0	0	1	9%

Somewhere

Peter Gostelow

2:27	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Guitar		25	0	3	8	100%
Rhythm Guitar		14	16	0	5	87%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Guitar		25	0	3	8	100%
Rhythm Guitar		14	16	0	5	87%
Soprano		10	0	0	4	86%
Bass Guitar		10	0	0	4	77%

Aria for Soprano and Orchestra (from "Mother Hulda")

Jakob Altmann

2:33	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche		16	0	4	6	99%
Violine		20	1	4	8	97%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche		16	0	4	6	99%
Violine		20	1	4	8	97%
		16	0	3	7	97%
Violoncello		20	0	5	6	92%
Fagott		13	0	3	6	73%
Sopran		14	0	4	5	60%
Horn		5	0	1	4	40%

Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.

Aquarius-Ru

2:24	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.		24	51	8	6	100%
Violoncello		15	0	4	9	100%
Saxophone soprano		14	0	6	9	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.		24	51	8	6	100%
Violoncello		15	0	4	9	100%
Saxophone soprano		14	0	6	9	94%

Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734

edward.maurath

3:16	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		21	15	6	11	100%
		18	19	3	9	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		21	15	6	11	100%
		18	19	3	9	100%
Basso Continuo		18	0	3	9	100%
Contrabasses		17	0	3	9	100%
Violas		16	0	3	9	100%
Violini 1		24	0	5	12	100%
Violini 2		24	0	5	13	100%

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